23 May 2022
Grammy-winning Latina composer Gabriela Lena Frank and Pulitzer Prize-winning Cuban-American librettist Nilo Cruz have been working on this Spanish-language opera project for five years.
Composer Gabriela Lena Frank said: "Frida Kahlo has been a hero since my girlhood. Before I could read, I found her in the pages of an art book in my mother's home library, the only woman in a multi-volume set of 'great artists.' My mother pointed out how Frida was small, brown and creative like us; moreover, of thick brow, disabled and a daughter of both Europe and Latin America like me. Images in her paintings danced in my dreams for years. Now with my first opera with librettist Nilo Cruz, it has been a privilege to lose myself in this fantastical story exploring Frida's tumultuous love affair, even beyond life itself, with Mexican painter Diego Rivera against the vibrant backdrop of the Day of the Dead. I am grateful."
Synopsis of "The Last Dream of Frida and Diego"
Set in 1957, the opera opens in a cemetery, as Mexico celebrates the annual festival of El Día de los Muertos (Day of the Dead). The great muralist Diego Rivera walks among the worshipers as they prepare for the return of the spirits to the world, singing with joy and anticipation. Surrounded by sugar-coated skulls, candles, and fragrant marigold flowers, he longs to see his deceased lover Frida Kahlo once again before he passes on.
In the afterlife, Catrina, the keeper of the souls, approaches Frida, and explains that Diego desperately needs his beloved angel as the seed of death quickly sprouts within him. Moved by the desires of the departed souls she encounters around her, Frida reluctantly agrees to join him in the world above, with the knowledge that the dead can never touch the living. For only twenty-four hours, Frida and Diego will relive their tumultuous love through their paintings, embracing the passion they shared and the pain they inflicted upon one other.
This opera is a co-commission with San Francisco Opera, Fort Worth Opera, DePauw University School of Music, and with support from The University of Texas at Austin College of Fine Arts.
Co-production with San Francisco Opera.
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